Thursty?
by vasilkovaya

Comment:
Glasses aren't truly equidistant from each other. Also, burn in the third glass so it has the same blacks and richness of the first two. Lastly, consider making their arrangement even deeper. Right now they're a bit tight and the negative space to their right is distracting and doesn't represent any element of visual language.

Duesenburg V-16
by drydoc

Comment:
Great subject. But the focus, color, lighting and contrast are all detractors from the photo.

Fence
by bobdaveant

Comment:
Deeper focus would help this photo significantly. Excellent subject matter, however.

Monitor Landscape
by typologic

Comment:
Sharpening your photos will be a tremendous help.

A Natural Formation of Lines
by atsxus

Comment:
Interesting photo. Well executed. But, the title is the only thing that forces us to see lines in the photo. Yes, if I try REALLY REALLY hard I can see lines in the picture. This one seems to be too much of a stretch to me.

New Construction
by cloudsme

Comment:
The child isn't in focus. Additionally, the composition doesn't work. The large amount of negative space pulls the audience's attention AWAY not towards the center of interest.

Line of Fire
by bongo

Comment:
Wow, great idea! I just wish the photo was sharper and there was more detail in the fire.

Windows
by yael27

Comment:
Great idea! However, this needs to be pushed to the next level. Consider reshooting and doing some of the following:
- place the open shutter at a steeper angle so we can see more of it.
- Consider shooting when the natural light is more dynamic and interesting.
- Make sure your perspective is TRULY flat. There are tiny signs of perspective shifting that hurt the photo's ultra-symmetrical composition.
- Use photoshop to increase the sharpness. Boost the saturation of certain hues (such as the brown shutters) and exaggerate the contrast. Bring out some minor hue in the wall so it isn't so boring. Burn in the residual dirt along the bottom of each window.

( (
by JC_Homola

Comment:
Great photo, but where are the lines? Also, your overall exposure is too dark. It's fine to have an extreme amount of contrast, but consider studying Ansel Adams' Zone System to better understand why this photo feels "crushed."

seasons come, seasons go
by ursula

Comment:
The photo isn't bad. However, it's composition is a bit confusing. What exactly is the area of interest that I'm supposed to focus on? The house to the lower right? The rose of houses to the lower left? Or the mountain that is hovering towards the middle of the frame? Lastly (and this is the most important part) I see NO lines in this. You haven't used composition to create the sense of lines at all.