| Image |
Comment |
| 09/24/2008 03:16:17 PM |
Reflectionby soozComment by Ristyz: not a full tonal range.... missing the light greys and whites. I like the subject, lots of fun reflections |
Photographer found comment helpful. |
| 09/24/2008 12:52:37 PM |
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Photographer found comment helpful. |
| 09/24/2008 12:51:49 AM |
Reflectionby soozComment by C_Steve_G: I think the highlights could be lighter. This would give a more interesting visual appeal, in my opinion. |
Photographer found comment helpful. |
| 06/23/2008 05:39:23 PM |
A Clear Jumpby soozComment by tootsweet: Nicely done. Wish things were slightly sharper, but it could be the monitor I am using. |
Photographer found comment helpful. |
| 06/21/2008 07:37:24 AM |
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Photographer found comment helpful. |
| 06/20/2008 03:32:53 PM |
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Photographer found comment helpful. |
| 06/20/2008 03:07:03 PM |
A Clear Jumpby soozComment by chrisgoddard: This would have been a wonderful picture if the subject was in complete focus. I bet if this shot were taken at a different location around the arena that it would have really popped. |
Photographer found comment helpful. |
| 06/19/2008 10:27:13 AM |
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Photographer found comment helpful. |
| 06/17/2008 06:52:51 PM |
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| 06/16/2008 10:28:28 AM |
Ink Diffusion Paintingby soozComment by Beetle: I love the colorful turbulences in that jar, and I have a few suggestions for improvements:
1) Pay attention to your background. Seeing that crooked line is way too distracting. If you sat the jar on a large piece of paper or cardboard, then extend it upwards behind the subject, you would have a flawless, seamless background.
2)Play with some adjustments (like curves) so the white actually looks white and the colors look their best, too.
3) Minimize reflections by very careful lighting, the use of a circular polarizer (filter), placement of camera vs glass, and possibly by holding up something black in front of the glass - close to it, but just out of view.
4) Some extra props might liven up the composition. |
Photographer found comment helpful. |
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