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Comment |
| 12/31/2008 12:32:34 AM |
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Photographer found comment helpful. |
| 12/31/2008 12:29:03 AM |
Mannequin mimicby IraklisComment by ubique: Good Lord! I thought the title was probably overkill, even for DPC! How wrong I was. Maybe you should have drawn a big red ring around each of the two gestures. And written "Duh!" in the margin.
"The lady in front really kills the shot..."
"Model should have been on the right side..."
"...girl is out of focus"
Oh dear, oh dear.
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Photographer found comment helpful. |
| 12/30/2008 04:06:53 PM |
salesgirlby IraklisComment by Kavey: I like that top down perspective and the direct eye contact. Her bright coloured clothing works well with the bright fruit. |
Photographer found comment helpful. |
| 12/30/2008 04:47:09 AM |
Mannequin mimicby IraklisComment by ubique: Unwitting visual parody ... it just keeps on giving on the Street, doesn't it?.
This is a good one. I'm disappointed that the title was necessary, but I suppose that you are as well. |
Photographer found comment helpful. |
| 12/30/2008 03:24:21 AM |
salesgirlby IraklisComment by BillBankson: Love her sox - I like the unique composition you have created with the high camera angle and all of the horizontal lines and repeated shapes and colors. |
Photographer found comment helpful. |
| 12/30/2008 02:18:21 AM |
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Photographer found comment helpful. |
| 12/29/2008 06:52:34 PM |
salesgirlby IraklisComment by jomari: Lovely photo. I love her expression and the way her colours mimic those of the fruits. 9 |
Photographer found comment helpful. |
| 12/29/2008 03:55:41 PM |
manwallhole.jpgby IraklisComment by tnun: Oh, oh, oh. This reminds me of a painting by Thomas Hart Benton (American, early 20th century), 'Persephone.' Shades also of many paintings titled 'Susannah and the Elders,' classical and modern (including T H Benton). Brilliant, and great tones as usual. |
Photographer found comment helpful. |
| 12/29/2008 03:26:27 PM |
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Photographer found comment helpful. |
| 12/29/2008 01:11:47 PM |
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Photographer found comment helpful. |
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