Image |
Comment |
| 10/08/2008 06:42:58 AM |
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Photographer found comment helpful. |
| 10/07/2008 03:37:19 PM |
oldacordbwdp.jpgby IraklisComment by Maggye: The moment I saw this one absoved my complete attention. Your composition, use of lightin and processing are really good, but his expression is what makes this one for me, his face tells so much. |
Photographer found comment helpful. |
| 10/07/2008 03:14:08 PM |
ildp.jpgby IraklisComment by Maggye: I like everything about this picture, angle, colors, use of available light. Nicely done. |
Photographer found comment helpful. |
| 10/07/2008 10:57:12 AM |
oldacordbwdp.jpgby IraklisComment by shalrath: Love the composition and the expression. Have you tried bringing out a touch more shadow detail using shadows/highlights or something similar? |
Photographer found comment helpful. |
| 10/07/2008 09:34:20 AM |
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Photographer found comment helpful. |
| 10/07/2008 09:33:22 AM |
victdp.jpgby IraklisComment by Germaine: Despite the vivid colors, this has a ver noir feel to it. For me, the sign in a foreigh (to me) alphabet adds to the mood. Wonderful color and composition. |
Photographer found comment helpful. |
| 10/07/2008 01:05:54 AM |
victdp.jpgby IraklisComment by tnun: Pretty good shot from the hip. Those tiles are really something. The man looks very ready to shift off the edge of the bench - is it from fear that someone may come along and sit on the bench, or is just the unease created by the colour? |
Photographer found comment helpful. |
| 10/07/2008 12:55:25 AM |
ildp.jpgby IraklisComment by tnun: Don't know what to say. This is amazing. Limited palette, sort of "crowned" by the reddish glare on the guy's bald spot, the subtle light and shadow still allowing the near prisonlike complex of grids their full force, and then the tiny bit of texture detail on the white tiles. Man going forth to darkness. |
Photographer found comment helpful. |
| 10/06/2008 05:30:28 PM |
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Photographer found comment helpful. |
| 10/06/2008 05:24:11 PM |
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Photographer found comment helpful. |
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