Never too tired to be seated.
by Patmania

Comment by magnus:
Very interesting idea. the angle works great, but I don't know about including that sliver of the window on the right. Also, personally I prefer crops where the subject either doesn't touch the frame at all or is severely cropped.

No!
by Patmania

Comment by Pegasus:
Love it!

No!
by Patmania

Comment by Kathy:
too obscure (big diagonal, but what does it mean??!!!)

Never too tired to be seated.
by Patmania

Comment by tate:
this chair is simply awesome and really well photogrphed. The crop is strange and perhaps removing extraneous outer elements would have helped. 6

No!
by Patmania

Comment by nnuyten:
Very creative. I like the Yes and No :p

And i think the choosing of this being black and white suits this well :]

No!
by Patmania

Comment by Simpa:
maybe ! why not ?

No!
by Patmania

Comment by Blue Moon:
hmm, another light on white repeat since I'm to assume that not too many people have a cool raggedy looking chair that is identical to the one in the adjacent challenge. I'll tell you the same thing I told the other person who did this: "I don't think entering 2 challenges with the same subject matter is very creative, but I suppose it isn't controversial until the the 3rd when the light on white scores come in. So I won't vote down for it."

That being said...I really enjoy his image. The title, the composition, subject matter, and yes...even the diagonal. In fact, I think this image would have done better than your light on white entry.
Good luck.

No!
by Patmania

Comment by Citadel:
Where did I see this chair before? Oh well, it appears you've got a very photogenic model =)

I like the composition of this shot. The angle works well here giving the picture a sort of surrealistic feel to it. 7

Never too tired to be seated.
by Patmania

Comment by riversong:
love this!!!!

All that I see in the hands of handy friends.
by Patmania

Comment by posthumous:
ok, this is silly and contrived, but that doesn't stop it from being a great picture. Look at how dynamic the composition is! Great lines going in all directions. I'll start this at 8. bump to 9