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Comments Received by Ben
Pages:   ... ... [57]
Showing 221 - 230 of ~570
Image Comment
Portrait of a Cat
04/30/2007 03:52:51 AM
Portrait of a Cat
by Ben

Comment by yanko:
You seem to have captured the essense of a cat quite well here.
Photographer found comment helpful.
Portrait of a Cat
04/30/2007 02:24:13 AM
Portrait of a Cat
by Ben

Comment by Wildcard:
Funny how it's the little things that count, the red bell ties in so beautifully with the gate and keeps me looking for more interesting details. Lovely.
Photographer found comment helpful.
Portrait of a Cat
04/30/2007 12:35:49 AM
Portrait of a Cat
by Ben

Comment by summerlovin:
i would have put the picture of the cat in the middle, but maybe that's just me
Photographer found comment helpful.
IMG_2402ecrop.jpg
04/28/2007 07:05:26 PM
IMG_2402ecrop.jpg
by Ben

Comment by Sting11165:
(from forum)

Damn, I was going to try to do some work, then I saw this one. I'll do this one then I'll do an hour of work :)

This image is striking to say the least. If you were trying to make the viewer feel that an unhappy guy is invading his/her space, you did it well. I'm assuming this is a self-portrait, at least from what I saw on your profile. You could scare young children with that look.

This is one of those images where the thumbnail is almost better than the full-size version. It just feels like some of the technicals aren't quite there. To pull this off, you need an angry look (check), harsh (hard) lighting (check), selective focus (check -- is that the filter on the image's page?), and some sharply in focus eyes (almost check). I really, really want to see the eyes in super detail (and the appropriate part of the face/nose as well, which is close). That would give the feeling of someone getting so close you can't focus on anything but his eyes, and he is close enough you can see the pores on his nose. The right eye, in particular, seems soft, but the left does too.

If this is a self-portrait, than yeah, that focus is hard to get because you can't line it up. If you are taking a photo of someone else, switch to a single focus point, focus on their lower eye, reframe, and shoot. Alternatively, that might be due to a shutter speed that was slightly too long and the model moved.

Other things that could improve the image: I feel the face is a bit overexposed and the eyes are too dark. The overexposure works well, actually, and I think you should keep it. If you took it again try to get a smaller tonal range by increasing the fill light around the eyes (maybe a piece of paper reflecting from under the camera?) and expose everything a little less. The paper/reflector also might put a nasty little glint in the eye too. Then apply the overexposure to the face in post-processing using curves if desired. It'd just give you a little more flexibility in processing if you don't blow the highlights out.

If the out of focus regions are from a soft-filter, keep it -- it is working really well. Just preserve the eye focus because that's where your viewer will be looking.

Other comments -- the background is appropriate -- I actually like it darker on the right and lighter on the left. Are you holding the camera with your left arm? The border bugs me because it is uneven... silly, I know, but it'd be nice if it was the same size all around.

Summary: so, yeah, I said a lot, but lets be honest -- the picture is really close to perfect as it is. Very unsettling.

Message edited by author 2007-04-29 14:26:05.
Photographer found comment helpful.
IMG_2402ecrop.jpg
04/26/2007 04:06:55 PM
IMG_2402ecrop.jpg
by Ben

Comment by posthumous:
This is creepy. Particularly creepy is the fact that I can see part of the right eye but not the left eye. That is very disconcerting, and adds interest to the shot. In fact, that's my favorite thing about the shot, the most original thing.

Not quite as blindingly original, but still great, are the shadows which you leave good and dark. They form interesting shapes which really add to the composition, and subtly work against the symmetry (which is dull. symmetry must always be fought against).

Also creepy is the smooth, oily way the narrow DOF works. The subject seems to slide out of focus in an oozy way.

I sense potentially dangerous insanity rather than malice. The one-eye effect keeps me from imagining a peaceful resolution to his thoughts.
Photographer found comment helpful.
IMG_2402ecrop.jpg
04/25/2007 09:53:02 AM
IMG_2402ecrop.jpg
by Ben

Comment by pawdrix:
It's soft which is fine. It tempers the gravity of your look. The eyes are enough in focus to convey a message. Well done.
Photographer found comment helpful.
IMG_2033-Edit.jpg
04/23/2007 08:36:59 PM
IMG_2033-Edit.jpg
by Ben

Comment by lovethelight:
I love the clarity and blue color scheme here it really brings out your eyes, The post processing was done well I like the halo on the wall
Photographer found comment helpful.
IMG_2402ecrop.jpg
04/22/2007 07:32:15 PM
IMG_2402ecrop.jpg
by Ben

Comment by TheStick:
Very moody and sinister (spell?)!
Photographer found comment helpful.
IMG_2402ecrop.jpg
04/22/2007 06:16:18 PM
IMG_2402ecrop.jpg
by Ben

Comment by Bernard_Marx:
Wickedly
Photographer found comment helpful.
IMG_2402ecrop.jpg
04/22/2007 06:15:51 PM
IMG_2402ecrop.jpg
by Ben

Comment by sevilduvarci:
this does look like a still from a film. i like the tight crop on your face and the lighting is working really well to enhance the mood of this picture. very nice.
Photographer found comment helpful.
Pages:   ... ... [57]
Showing 221 - 230 of ~570


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