| Image |
Comment |
| 01/20/2012 03:30:16 PM |
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Photographer found comment helpful. |
| 01/20/2012 12:03:51 AM |
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Photographer found comment helpful. |
| 01/19/2012 08:31:26 PM |
ecstasyby posthumousComment by mcaldo: Heheheh, a different view, people emoted by the surrounding architecture. The more I look at it, the more I feel the impulse to laugh out loud. I secretely hope to find out she was talking about the refurbishment of the chapel, rather than the refurbishment of her soul.
After looking at it for a while, I feel a tigher crop to exclude the left and top spotlights would have been quite effective. But I perhaps can guess why you went for a wider framing. 8 - No, bumped to 9 |
Photographer found comment helpful. |
| 01/19/2012 01:00:13 PM |
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Photographer found comment helpful. |
| 01/18/2012 10:01:47 PM |
always use a seatbeltby posthumousComment by dali_lama_2k: 5..4...3....2.....1.. . . . the last second is always the slowest! It seems as though you had to re-shoot a few because your smirk kept ruining the look of surprise/fear :) |
Photographer found comment helpful. |
| 01/18/2012 09:59:16 PM |
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Photographer found comment helpful. |
| 01/18/2012 05:30:56 PM |
do a little danceby posthumousComment by snaffles: Greetings from the CC!
Artistic: Interesting capture though I never would have guessed it to be a cyclist, due to the darkness and amount of blur. His back being to the camera makes it difficult to really say anything. Not being able to see his face means we don't know if he's tired, jubilant, bored, sad, misrable etc.
Technical: The b/w seems to bring out a lot of noise - going up to 1600 ISO may have helped. Comp centred and a little dull.
Feel free to PM me
Susan |
Photographer found comment helpful. |
| 01/18/2012 04:34:39 PM |
wirescapeby posthumousComment by 1m1A: Really lovely, not a landscape, but i like it to much to penalize you. I'd love to know how you did this. |
Photographer found comment helpful. |
| 01/18/2012 08:57:10 AM |
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| 01/18/2012 12:15:15 AM |
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Photographer found comment helpful. |
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