train on the window pane
by posthumous

Comment by littleda:
Very creative! I love it.

The Morning Rush
by posthumous

Comment by skewsme:
Stunning. I love the irony of the title.

The Morning Rush
by posthumous

Comment by MRubillo:
I like the B and W. It really focuses on the light differences in the sky.

Yellow Outtake
by posthumous

Comment by kdkaboom:
this is so gorgeous!

The Morning Rush
by posthumous

Comment by talmy:
Irony? Road looks quite empty.

The Cellist
by posthumous

Comment by posthumous:
ok, so I oversold the title... I get a little crazy sometimes... :D

The Morning Rush
by posthumous

Comment by bigdipper:
Interesting, but I'm not very keen on this one. I'm not sure whether the background is just sky or sea and sky. And the title is not very appropriate.

The Cellist
by posthumous

Comment by agenkin:
Don, this is quite good. Lately I have been fascinated with central compositions. The tree in the center of the image is very active, and works very well keeping the eyes of the viewer travelling up and down. and the hands of the "cellist" are right there along the line, so this works well, too. The figure of the "cellist" becomes unimportant, and is only needed for context. Technically, it is a disadvantage that the black clothing is underexposed to the point of losing all detail.

For me, the compositional delight is quite sufficient, and the image would not lose anything even without the title. Maybe that's because I don't want to attribute any more meaning to the image.

The Cellist
by posthumous

Comment by pineapple:
Commenting on the commenter-extraordinaire's photograph is surely somewhat like eating steak sandwiches at a picnic in a safari park. Here goes. I think what makes this photo stand out for me is the obviously very colourful bokeh which is turned into b/w and therefore into a rather unusual abrstract background. The figure and event taking place in the foreground is barely as important as the background. Music is not what comes to mind - more like a tentative pole climber surveying her potential passage upwards or a caber tosser in training. The hands are what really make the foreground a little unusual. If only there was a way to completely limit the rest of the figure and place these hands disembodied in the rustic setting. That would be art.

Synapse
by posthumous

Comment by levyj413:
Sheesh. "blur the background more." I've heard that one myself.

This is a neat photo, and your title really brings it home.