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| 12/13/2005 10:38:24 AM |
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Photographer found comment helpful. |
| 12/12/2005 06:59:10 PM |
Oh no... There goes my train! :-(((by nessnajComment by e301: The first thought is that its impossible to know whether the train is coming or going. The second is that if this isn't a set-up, which I suspect it isn't somehow, then I think you perhaps need to go into b/w territory: it at least gives an edge of reportage that makes the ordinary more interesting - and this is fairly ordinary, really; and perhaps use processing to pull out the sense of those out-stretched arms, whicha are the real point of this scene - they're what communicates your message here. Keeping the far side of the tracks properly exposed is useless if it means relegating her pose into the shadows. If it was set-up, then you needed to capture some motion in the train, at the very least, as well as putting more into the compositional elements. |
Photographer found comment helpful. |
| 12/09/2005 03:43:30 AM |
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Photographer found comment helpful. |
| 12/08/2005 11:54:52 PM |
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Photographer found comment helpful. |
| 12/08/2005 09:01:06 AM |
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Photographer found comment helpful. |
| 12/07/2005 02:53:48 PM |
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Photographer found comment helpful. |
| 12/07/2005 11:07:48 AM |
Oh no... There goes my train! :-(((by nessnajComment by ThomLee: You've got the concept of "too late" working.
Could use a bit more contrast in your forground figure. Maybe a brightly colored coat would have helped, not only to bring the figure forward, but also to tie it to the train. Also, I think it would have been nice if the clock were more prominant. |
Photographer found comment helpful. |
| 12/06/2005 06:37:55 PM |
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Photographer found comment helpful. |
| 12/06/2005 06:09:51 PM |
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Photographer found comment helpful. |
| 12/06/2005 02:39:39 PM |
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Photographer found comment helpful. |
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