| Image |
Comment |
| 04/28/2005 05:16:13 PM |
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Photographer found comment helpful. |
| 04/27/2005 04:42:38 PM |
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Photographer found comment helpful. |
| 04/27/2005 01:57:35 PM |
Keeping Fitby DannyMComment by scales: Sorry - I don't feel this one is anything special. You've managed to keep the very bright and very dark aspects clear though. |
Photographer found comment helpful. |
| 04/27/2005 11:22:43 AM |
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Photographer found comment helpful. |
| 04/27/2005 10:47:54 AM |
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Photographer found comment helpful. |
| 04/25/2005 11:16:36 PM |
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Photographer found comment helpful. |
| 04/25/2005 07:39:39 PM |
Voicesby DannyMComment by kirbic: I guess I went with the crowd on this, I voted 5. Like some of your other commentors, I felt it left me rather flat, although I enjoyed what I felt you were trying to say.
I like your composition, and I guess the busy background is a part of the message. I do think that a way is needed to focus attention the subject. The light is also very diffuse, so the image lacks depth. There are two things possible in post that IMO improve it:
- Quick mask to decrease BG exposure and increase subject exposure
- Increased contrast & tweaked curves to warm it a bit and give it some depth
Although the messages crowding the background are an integral part of the photo's composition, they could be de-emphasized a little without detracting. I'm wondering how shooting this at a wide aperture, say f/2.8, to just barely throw the BG out of perfectly sharp focus would have done to increase the focus on the subject?
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Photographer found comment helpful. |
| 04/24/2005 06:31:44 PM |
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Photographer found comment helpful. |
| 04/24/2005 03:58:45 PM |
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Photographer found comment helpful. |
| 04/24/2005 04:51:29 AM |
Voicesby DannyMComment by Xilebo: You probably wanted to get a message across with this composition but it's not really clear..the notice board? The lady on the phone? Has a snapshot feeling about it and I always think when photgraphing people you should see there eyes... |
Photographer found comment helpful. |
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