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| 09/13/2010 08:28:45 AM |
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| 09/13/2010 06:18:43 AM |
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| 09/13/2010 03:22:24 AM |
f o r kby Bear_MusicComment by Paul: This was my highest scoring image. A 9; on reflection, my error not give it a bump.
(Did you post the wrong lens information? I'm anticipating that this is actually your new macro...) Message edited by author 2010-09-13 03:26:23. |
Photographer found comment helpful. |
| 09/13/2010 01:44:27 AM |
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| 09/13/2010 12:29:18 AM |
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| 09/13/2010 12:26:46 AM |
f o r kby Bear_MusicComment by Yo_Spiff: Well, I see I was the only critic of this, Robert. At least the only one who left more than a vote. (It was a 5, BTW) I love what you did with this, and if the topic had been s-curve without the description of it being a compositional technique, then it would have fit to a "T" and gotten a very high vote from me.
This does reinforce my belief that having a visually strong image is a much greater factor on DPC than meeting all possible interpretations of the topic.
Well played. Message edited by author 2010-09-13 00:27:22. |
Photographer found comment helpful. |
| 09/12/2010 01:41:42 PM |
f o r kby Bear_MusicComment by Yo_Spiff: I'm reviewing this challenge a second time after considering what the s-curve technique is really supposed to be. Though an S-curve is clearly visible in this, I don't find that it functions as an element that leads my eye to the subject. If anything, my eye lands first on the subject of the fork head, and the s-curve attempts to pull my eye away from it. One of the more interesting fork shots I have seen however. What is creating that criss cross pattern in the backgound? |
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| 09/10/2010 10:10:03 PM |
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| 09/09/2010 08:09:11 AM |
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Photographer found comment helpful. |
| 09/08/2010 09:54:26 AM |
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Photographer found comment helpful. |
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