Image |
Comment |
| 05/09/2007 07:15:52 AM |
by Keith ManiacComment by sevilduvarci: Originally posted by Germaine: Embracing the blur again? |
i'm glad you are, your blurred pictures are one of my favourites in your folio :) |
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| 05/09/2007 03:17:30 AM |
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Photographer found comment helpful. |
| 05/09/2007 03:06:10 AM |
by Keith ManiacComment by Germaine: Embracing the blur again? I love the enigmatic face in the mirror. Nice light, too. |
Photographer found comment helpful. |
| 05/07/2007 11:06:46 PM |
Closedby Keith ManiacComment by Keith Maniac: Originally posted by Jutilda: ...the multiplicity of all of the closed windows - lacking in humans behind them and then the single guy walking in FRONT of the windows |
Wow, yeah. I'm not completely sure I consciously saw that. Thanks... |
| 05/07/2007 11:03:51 PM |
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| 05/07/2007 11:01:10 PM |
Closed IIby Keith ManiacComment by Keith Maniac: Oh my God, I did not even notice that her leg was parallel with the crack like that! Her leg angle is probably my favorite part of this shot, but I never noticed that. I will never look at this picture the same way again, LOL! |
| 05/07/2007 10:57:33 PM |
Closedby Keith ManiacComment by Jutilda: I love the juxtaposition between the man and his shadow. I really like the multiplicity of all of the closed windows - lacking in humans behind them and then the single guy walking in FRONT of the windows. Nice. |
Photographer found comment helpful. |
| 05/07/2007 10:57:30 PM |
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Photographer found comment helpful. |
| 05/07/2007 10:56:17 PM |
Closed IIby Keith ManiacComment by Jutilda: GOD - could the line of her leg be more parallel with the sidewalk's crack? Perfect stop action. I really like the minimalism of this shot. The natural black and white is stunning. |
Photographer found comment helpful. |
| 05/07/2007 10:53:35 PM |
Closed IIby Keith ManiacComment by sevilduvarci: i like the perspective, how she looks bigger compared to the building in the background. very nice composition and i love these tones. |
Photographer found comment helpful. |
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