Aussie spring. "November"by
NodeComment by Gordon: The rocks really dominate this composition. THe pier less so - in fact it is quite hard to tell what it is initially. The sky is quite featureless and flat and the light isn't the best either - feels like it was shot around mid-day - giving you the very harsh shadows and dark areas in the rocks and pier.
I think this location probably has some potential - on a day with some more interesting cloud forms and later or earlier in the day when the light is better. Around 1 hour before and after sunset and sunrise are great times to shoot landscape shots - the light is beautiful, the shadows aren't so harsh - depending which way this pier faces would help determine the best time though - you want some light on the side of the pier.
Composition Issues:
The horizon doesn't feel straight - this can be quite easily fixed using the skew transform in something like photoshop to tweak it to horizontal. It seems like a little thing but it can be quite distracting.
Horizon placement - it isn't quite along the top third, floating somewhere between there and splitting the middle of the frame - I think with the almost total lack of sky in this shot, I'd have placed it quite agressively high in the shot - maybe even only about 2% of the scene as blue sky, just by tilting the camera down - and probably getting myself to a higher position if possible.
Rock/ sand/ sea composition. The rocks merge with the sea and sand - particularly the two that poke 'up' A slightly higher viewpoint would have had the rocks surrounded by the sand, making them stand out more strongly as a main element in the composition (blue/grey against orange/yellow sand, rather than blue/grey rocks against the blue/grey sea)
Pier - it certainly can make for a strong leading line element - though I think you need to be slightly to the left and shooting more 'in' to the pier for that to work - here it forms a strong vertical line on the right that doesn't really lead off and then further out in the distance starts to lead in to the scene.