true example of propaganda in Appalachia
by wkmen

Comment by crabappl3:
Wow! That's enough to cause a car wreck! Curlers no less! Would a farther away camera angle with someone actually walking past the sign have made a stronger and more interesting shot? 6 -danny

true example of propaganda in Appalachia
by wkmen

Comment by Inga_fang:
omg...this is a truly awful ad...but then again it might just work... I would have liked to see some ppl walking under the bilboard...that would've been cool

true example of propaganda in Appalachia
by wkmen

Comment by Neil:
Hmm, that's someone elses propaganda.

Corn Is Maize: The Gift of the Indians
by wkmen

Comment by Manikz:
Beautiful use of Macro, does this make anyone else want to go to a farmer's market?

sparkling seas
by wkmen

Comment by Sonifo:
I love the water here. Looks animated almost. The lighting is great.

pier reflections
by wkmen

Comment by Sonifo:
Cool reflection.

sacred ground
by wkmen

Comment by Neuferland:
This is a very nice idea and the lighting and colors are very nice. But there is nothing that is really grabbing my attention in this shot, the half stones in the front are more distracting than a lead in. Perhaps if you had at least one of them in the shot completely? A 5

sacred ground
by wkmen

Comment by KevinRiggs:
Very grainy. You chose a good vantage point where the line of tombstones from left to right created a good effect of a diagonal path across your image which also intersected a horizontal path up through your image (the line of tombstones that begins on the left edge with the letters "ICK" and ends by the large tree). The colors are thrown off by noise throughout the image. What ISO was this shot on?

sacred ground
by wkmen

Comment by Spork99:
This has some serious image quality problems

sacred ground
by wkmen

Comment by dsidwell:
I see you've shot between stones, though I'd rather you had one or the other totally in the frame. Still, your colors and mood you've built here are very effective in eliciting a sacred feeling. Very nice.