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Comment |
| 10/14/2010 12:45:18 PM |
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Photographer found comment helpful. |
| 10/14/2010 11:21:09 AM |
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Photographer found comment helpful. |
| 10/12/2010 09:46:18 PM |
Steve-1by CoryComment by cowtownmom: Great shot of my poor husband. This time he got lucky and didn't lay down on an ant hill.
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Photographer found comment helpful. |
| 10/09/2010 02:23:32 AM |
Steve-1by CoryComment by Yo_Spiff: Hey, you got my good side! Another one for my rolling on the ground collection. |
Photographer found comment helpful. |
| 10/05/2010 07:55:44 PM |
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Photographer found comment helpful. |
| 10/05/2010 06:38:39 PM |
I RiP yo Face OFF!by CoryComment by zencow: Neat. The first time I saw this, it took me a little while to focus on the sword, as I was immersed in the graffiti and colors. It was kind of an interesting moment as my eyes began to adjust, following the unknown dark shape to the right, then making sense of the girl, then back down along the... (moment of realization)... blade! |
Photographer found comment helpful. |
| 10/05/2010 12:46:02 PM |
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Photographer found comment helpful. |
| 10/02/2010 07:45:33 PM |
The artby CoryComment by rwo82939: Just a thought but her hands are lost with the gloves on it may have been more artistic with the hands bare and expressive on the sword. 6 |
Photographer found comment helpful. |
| 10/02/2010 02:11:21 PM |
The artby CoryComment by tanguera: I am so frustrated by this image. The wall is sensational. Incredible detail, colors, and visually very interesting. The model, however...
I can't help but look at this through my director eyes. As the main subject, her pose is awkward, but worse, uninhabited. There is no energy flowing out of her, either towards the camera, into the sword, anywhere. There is simply no intention. While we can't help it if a model lacks talent, as photographers there are things we can do to make it appear like they do. And why choose such an excellent backdrop if there is no interaction with it? It's like two images in one, and neither is supporting the other.
Also, I think the low vantage point is not the best choice here. It requires that you include a healthy portion of the rather uninteresting ground. And from a story pov, it doesn't inform the image. On the other hand, if this had been taken from a higher pov looking slightly downward, it might have created a David and Goliath dynamic, and the wall would have had a purpose for being there.
Take all this with a grain of sand. Or salt. :-) |
Photographer found comment helpful. |
| 10/02/2010 09:45:01 AM |
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Photographer found comment helpful. |
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