Another Afternoon at Mr Gormley's
by Paul

Comment by Tiny:
This is my winner by a long way,I cannot say why it just is.10.

Another Afternoon at Mr Gormley's
by Paul

Comment by nam:
Strangely surreal and infinitely fascinating. Love the slight glow. 8 Voted earlier.

Another Afternoon at Mr Gormley's
by Paul

Comment by mariuca:
There is a lot of interesting stuff here.
I bet that Mr Gormley wished to be slenderer and dressed like James Bond.
Great setting. I wish it was more air around and a little less props. Screen is not necessary.
This said, you did an interesting thing.

Furniture Sale
by Paul

Comment by Melethia:
I'm with Judy on this one. I'm stingy with 10s as well, and this is the first one I've given in a long time!

Another Afternoon at Mr Gormley's
by Paul

Comment by tanguera:
Fabulously strange.This puts me in mind of Paul's work, the setting, the superb light, the nude. Surealist and titillating. Love it.

Furniture Sale
by Paul

Comment by Jutilda:
This should have been the blue ribbon winner. Just fabulous. I rarely give 10's and it was handed out without hesitation.

Another Afternoon at Mr Gormley's
by Paul

Comment by giantmike:
So many cool items here to really complete the scene.

Another Afternoon at Mr Gormley's
by Paul

Comment by Cuttooth:
this is amazing. such a well done, provocative image.

Furniture Sale
by Paul

Comment by vawendy:
Haunting!! One of my favs, as well. :)

Another Afternoon at Mr Gormley's
by Paul

Comment by CNovack:
Voted earlier coming back to comment.

While the rest of the environment is in sharp focus and detail the people are not. The people are surreal in a real world room. There are the common everyday objects of the tub, the chair, the windows and the mirror but amoung them are the uncommon/blurred objects - people. The everyday objects are static and still - the man & woman are not they are in motion placing them in a different realm. The nude woman seems to hold the mirror like a shield, hiding/protecting herself from the man captured within. The reflection of the man stands within the confines of the mirror and takes on the errie aspect of a lurker. He is faceless and not in sharp detail - while not in the room he adds a sense of tension as we know not what the intentions or actions will be that follows.