| Image |
Comment |
| 02/24/2014 01:37:08 PM |
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 Photographer found comment helpful. |
| 02/24/2014 01:35:09 PM |
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| Photographer found comment helpful. |
| 02/24/2014 01:31:49 PM |
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| 02/24/2014 01:28:13 PM |
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| Photographer found comment helpful. |
| 02/23/2014 12:53:45 AM |
There's Nothing for Freeby illini75Comment: Effectively spontaneous (and ultimately powerful) capture - surreal in the poses of the two almost dance-like postures of the children where the girl seems to be disintegrating into the vending machine. Good subject and well organized composition very unlike Winogrand. More like Salvador Dali turned loose with a camera. |
| 02/23/2014 12:50:13 AM |
Eddieby tnunComment: I don't think of Winogrand as delivering such a deeply felt portrait, which is a shame. This has more of Dorothea Lange's penetrating and heart-felt interest in humanity. Quite an involving, intimate, engagement with a living person - his uninhibited involvement with the camera is quite profound. The eyes are spectacular. |
| Photographer found comment helpful. |
| 02/23/2014 12:43:41 AM |
oby nick_hinchComment: Looks like mugging for the camera but has something of the spontaneous spirit of Winogrand's street shots. |
| Photographer found comment helpful. |
| 02/23/2014 12:43:07 AM |
Electronic interferenceby EpsiComment: The crop is not conventional Winogrand but the spontaneity comes close. On its own, an intriguing candid image with implications of drama to be resolved. |
| Photographer found comment helpful. |
| 02/23/2014 12:41:07 AM |
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| Photographer found comment helpful. |
| 02/23/2014 12:38:39 AM |
Don't Step Thereby Jackson_HComment: The telephoto compression doesn't quite fit Winogrand's wide angle style but the candid street capture nails it. The centered eyeball pulls me in (nicely) but distracts from the Winogrand esthetic. I'm bumping to a 7 which if, say, for the eyeball topic, could be a 9. |
| Photographer found comment helpful. |
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