Una
by escapetooz

Comment:
Quite the intense stare you've got here. Nicely seen.

The Fork in the Fundament
by pixelpig

Comment:
I like the warmth of the shot; pleasing abstract.

Awake
by mpeters

Comment:
Great sunburst and excellent job capturing detail in the shadows.

The Old Mill House
by malski

Comment:
Great use of the bridge to frame things.

Loyalty
by MarioPierre

Comment:
A good scene, but the posing seems very awkwardly synthetic. Bravo on the pets being well behaved but it just feels too contrived.

steps of boredom
by timfythetoo

Comment:
I'm waiting for the kids to go sliding out the edge of the frame. The tilt just makes this feel awkward for me.

A 6 Year Old Portrait
by kvickrey

Comment:
Eyes seem a bit oddly sharp since you applied the vintage faded/soft look to the rest of it. I'd moderate the difference between the two a bit more.

Serious rock climber
by jimsapp

Comment:
Now, I'm not sure if you climb yourself, but I do, and I'm going to firstly say that I know how hard climbing shots are, but you always always want to avoid getting the ass shot, which means you either need to be on the wall itself, at a belay ledge, or elevated and to the side. What happens when you don't do that is that the steepness and severity of the terrain is greatly lost, you can't see the climber's face, and the whole context of the scene is lost.

J & M
by BMacD

Comment:
I'd like to see them either be a more prominent element or to have the extra space be more empty. For me, this is a shot of a door or a barn, with a couple thrown in, when in fact, it's a couple with a barn door that is secondary or happenstance, a mere background. Lighting them selectively either through editing or in situ lights would have accomplished this while still keeping the same sort of a feel.

The Carabbean Princess
by HalldorIngi

Comment:
Cool shot- very much like a brochure, even if I do deplore cruise ships.