Beneath a June Twilight
by wildiris

Comment:
perfectly composed, beautiful 8

Skeletal
by Qiki

Comment:
I am a total sucker for this kind of image! Did you "commit" to grayscale on this? I see three little brown elements (I spent a lot of time looking at this cuz I like it!), and now that I've seen them, I can't not see them any more (I can't not be bother with no good grammar, neither!). 8

Hard nosed
by olbol

Comment:
Okay, this image just works for me, is my taste exactly (I have a similar sort of composition in my portfolio if you don't believe me). I like the way you see, the way you composed this--the arrangment of ALL of the Many Lines in this subject is well done. Totally an 8

Chicken soup
by sekarmalathy

Comment:
so, the title makes absolutely no sense to me. but the image SINGS. Beautiful abstraction. The difficulty I always have with these sorts of images is choosing the crop--some elements are always severed, etc., and it is hard to find the right composition that brings some order out of the chaos. Obviously, this is not a problem you are afflicted with! Very well done. When the rules are no longer in the way, a subtle burn down of the bright elements in the lower right and upper left edge/corners might be worth a shot--keeping the brightest elements well within frame might be even better than this already is. 9

Oxford
by bvy

Comment:
This is a spectacular composition--all the edges and corners are just right, and the placement of the tops of the skyscrapers is perfect. You have certainly accomplished "contrast" in this, as well. I think it might be possible to raise the values across the entire image, still have dynamic and interesting contrast, and a little more "snap" to the image, too. But being wrong is one of my 'strengths' and this is great just as is. 8

The pier
by Gabriel

Comment:
I like the subject, the composition, and the subtle soft texture in the overcast sky. On my monitor, which I think is in calibration, the underside of the pier goes pure deep untextured black over (in my opinion) a bit much of the pier. If the support column plunged into a fairly localized pitch black area, that would be cool, but most of the underside is formless. If it could be brought out just a bit, not much at all, I think this might be an even better image than it already is. 8 from me.

The chase is on!
by Prime_Time

Comment:
I keep looking at this, and cannot decide about the negative space at the top. Now, I love me some good negative space, I surely do, but just can't quite decide: if you cropped down 10% would it be better or not? Would the cloud and road seem even more luminous, or less? Either way, see, you got me paying a lot of attention here! 8!

A Break in the Storm
by Jammur

Comment:
seemingly simple, but just beautiful and well composed. The darker colors at the top of the image add a tension, and also convey the storm and the closeness of those clouds as compared with the distant ones. This image works on many level for me--but I love clouds, so there ya go. 9

River Reeds
by marbo

Comment:
complex and intricate 8

X~R A Y
by sudhi

Comment:
This is a lovely, surreal, semi-abstract image. I don't care for the title, as it tends to try and drive me to notice "hey, see, the blurry part looks kinda like an x-ray, cool, huh?" and I think this image is strong enough that I don't need any push to spend time looking at it, nor any nudge from the title to interpret it for myself. You know how sometimes you hear a song and you really like it, then later you see the associated music video and it is indelibly etched into your mind, forever alters your experience of that song? Well, I was lingering on this beautiful, delicate image, then I saw the title, and now mostly the x-ray aspect is all I see. Titles are hard, but I think less is more. 9