Color My World - Chocolate
by Jolie2044

Comment:
This is a horror show.

Many more bites to come
by shiva5381

Comment:
Wow! The date stamp really adds to this composition. Oops, I meant to say adds nothing to this composition.
Could you really not be bothered to do a reshoot without the date? While you were at it you could have made sure it was in focus. Sorry if this is harsh but this is just too careless to even consider.

Romance
by siggi

Comment:
The banana thing looks very familiar. Originality?

Chocolate Forrest
by grabland

Comment:
Couldn't make up your mind, huh? The lack of simplicity hurts your composition. It's too busy.

Chocolate a la papier
by greenmatt

Comment:
C'mon, if you were going to cheese out like this at least you could have made a better sign and actually focused your shot.

A love hate relationship!
by ConcreteDonkey

Comment:
You lucked out this time. Apparently nobody else ever heard of this from the classic film noir movie Night of the Hunter with Robert Mitchum.

- Miracle! -
by Imagineer

Comment:
Hi Jon! I wondered during the voting if this was yours. I'm getting good at spotting certain members' work.
Congrats on placing so well! GOLDEN!

Love, Balance, and Harmony
by Tranquil

Comment:
C'mon! This is becoming impossible to vote on without bias. This is a good shot that I've seen several times in different variations. How about some originality?

Infinity
by RUEDISCHMUTZ

Comment:
Greetings from the Critique Club!

This is a difficult kind of photo for me to critique. Comments that come to mind are, "Interesting", "I wonder how this was done?", and "Cool lighting."

For an in-depth critique I need to be more specific and more honest about my appreciation for the image and my viewing experience. The word that comes to mind when I think hard on this photo is 'relevence'. Unlike an abstract composition which is created by framing an existing subject in an unexpected and unusual way, this is a purely set-up abstraction. The enjoyment factor rests entirely on whether or not the viewer finds it a compelling arrangement of form, line, and color. Put another way, an abstract created by framing a small segment of the side of a weathered exterior (by way of example) has some interesting subject matter built in. The viewer may still not appreciate the composition but his ability to recognize that the abstraction was created from the textures, shapes, and colors of a larger object adds something to the viewing experience. He may not know exactly what the larger object is or indeed, how much larger it is then the section he has been allowed to see but theirin lies some of the enjoyment of an abstraction.

A set-up abstraction (in a photograph--I have different feelings regarding abstract painting) doesn't leave the viewer with any questions other than, "how was this done?" and 'what thought process led to this creation?'. Those questions are interesting in a technical sense but not as inherently sastifying (to this viewer) as the more universal experience created by viewing something familiar shown as a small part of a whole. Keep in mind, I don't mean to imply that this is the only way to create an abstract with existing subject matter. My point is more about the use of a subject that is familiar to create an abstraction. While marbles are a familiar object, these have been clearly arranged to create a design. The approach has not been to find the design existing already within the marbles but to arrange them in such a way as to create a completely new design, unfamiliar to the viewer.

This may seem like a lengthy explanation but I have a point. With the photo presented here, one either likes the design, doesn't like it, or is indifferent. Being a work of pure abstraction and imagination, there isn't much else to think about. It doesn't spark a sense of familiarity or meaning to the viewer. I have to admit to falling into the 'indifferent' category. I enjoy the color but I'm just not moved enough by the design elements to have more than a passing interest in the photo. It seems a bit busy to me. I like the look of the main sphere. I think I would have enjoyed this quite a bit if was just a single glass sphere suspended in the ambient purple background. The image does not support the title. I don't experience a sense of infinity from viewing this as there is clearly a beginning and an end. One could argue that a sphere represents infinity, in which case, this would support my feeling that it should just be one sphere in the composition.

So much for the asthetic experience. On a technical level, the lighting works well and seems to be what you were aiming for. The sphere of lavender light echoes the spheres of the marbles. I would suggest a seamless background to remove the line that bisects the frame.

Message edited by author 2004-07-17 18:34:39.

Reading under Purple Light.
by biggood53

Comment:
Greetings from the Critique Club!

While I think the Tiffany lamp has potential as good subject matter I don't care for the way it fights for dominance with the woman's face. The title throws me off a bit. It suggest that I will experience purple light spilling on to the pages of a book. The reality is, the light looks quite warm and golden and we only see a woman's face peering down. She is wearing reading glasses but she could also be sewing, doing a crossword puzzle, or balancing her checkbook as someone else quipped. This suggest to me that the cropping is a bit odd which leads me back to my initial comment regarding the struggle for dominance of subject matter.

My instinct is to suggest a more generous crop so that the viewer can see her activity. Alternatively, you could try a different POV which shows the light spilling onto the pages of her book as she reads. This composition indicates a bit of indecisiveness in choosing a clear focal point. Is it the woman or the lamp? The soft focus on the women helps a bit but her features are still quite visible and add quite a large area of interest that compete with the equally interesting lamp shade. It makes it difficult for the eye to relax. Since this is quite clearly meant to be a relaxing image the dynamics need to be toned down quite a bit.

I do like the placement and cropping of the lamp and the harmony of the jewel tones and the warm, golden light. If the lamp stayed excactly where it is in the composition but the woman was sitting quite a bit further away, perhaps curled up on a sofa, I think it would make for a more balanced composition and a very cozy, pleasing image. Of course, I don't know if this is possible, not knowing what the room is like. This is just how I envision this image working. It could perhaps be done by placing the woman on a cozy piece of furniture under similar lighting but without showing another lamp, and placing the Tiffany lamp several feet away from her on some kind support (a dining room table, a plant stand). Of course you couldn't call it "reading under purple light". The point would be to showcase the lovely lamp shade while keeping it in a warm and human environment.