| Image |
Comment |
| 09/29/2006 10:41:47 PM |
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Photographer found comment helpful. |
| 09/29/2006 10:39:16 PM |
Brass Crabby dsa157Comment: A good fulfillment of the challenge, but it's your title that bumps this to an 8. |
Photographer found comment helpful. |
| 09/29/2006 10:38:49 PM |
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Photographer found comment helpful. |
| 09/29/2006 10:38:25 PM |
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Photographer found comment helpful. |
| 09/29/2006 10:36:57 PM |
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Photographer found comment helpful. |
| 09/29/2006 10:36:00 PM |
adagioby nfesselComment: excellent. you made this as simple as it could possibly be to still retain interest, and your bravura is being punished by dpc voters, I'm sure. but you get a 9 from me. this is what harps are like in heaven. |
Photographer found comment helpful. |
| 09/29/2006 10:34:25 PM |
ET wants my dinnerby JulolidineComment: the variations in hand size and the old-timey processing make this much much better than the tiresome multi-image water drop shots that infect this shot. You show them how it's done. This picture is emotional, ominous, beautiful. 9 |
Photographer found comment helpful. |
| 09/29/2006 10:31:52 PM |
Sunrise dreamsby arpitaComment: closed eye as fruit. as far as I know, this is a strikingly original notion, at least photographically, and it is utterly captivating and disturbing... and perfectly executed. George Bataille would have loved this. 9 |
Photographer found comment helpful. |
| 09/29/2006 10:29:26 PM |
Nature's Ownby JeileenComment: This isn't very abstract. The background is abstract, but the leaves are highly recognizable and have all sorts of symbolic and sentimental associations. In fact, they bring this picture to life. It feels as though they are swirling in a frozen vortex. It somehow becomes a meditation on memory and loss, but also what is retained. And I can't bring myself to vote less than 9 for this. |
Photographer found comment helpful. |
| 09/29/2006 10:23:38 PM |
keeping a open mindby ralphComment: In the world of drawing we always talk about having an expressive line, achieved through variation in width and variations in darkness, accomplished by varying the speed and pressure of your arm. What you have here is a very expressive line. 9 |
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