One of those days
by truogre

Comment:
Don't take this the wrong way but as I see DPC as a learning experience here is my frank critique:

This comes across as a snapshot. By that I mean that I feel that anybody standing where you were with a camera could have gone click and got this result. I think a photographer should aim to do more than that. I may be wrong and perhaps you do have more of a story to your shot but the fact is that it doesn't come across to the viewer.

As an example, if you were in Paris and saw the Eiffel Tower you could hold the camera and go click. You'd have a shot that millions of other tourists have and would be good as a record of your holiday. I think at DPC you need more than that. You need to consider the POV - make it something that enhances the tower (include a flowerbed or kissing couple in the foreground), make use of lighting (dusk for shadows), composition (maybe include the buildings beside it to get a sense of scale).

I hope this helps and please don't be offended, I'm only offering an opinion.

The Early Bird....
by hsolakidis

Comment:
This might have been really effective if you could have cropped right in tight to get the sun and the birds in front and that's it?

Rapid
by cujee

Comment:
Nice processing, a bit noisy though, good composition IMO

Argh! I Be A Goober!
by houstonian

Comment:
Don't take this the wrong way but as I see DPC as a learning experience here is my frank critique:

This comes across as a snapshot. By that I mean that I feel that anybody standing where you were with a camera could have gone click and got this result. I think a photographer should aim to do more than that. I may be wrong and perhaps you do have more of a story to your shot but the fact is that it doesn't come across to the viewer.

As an example, if you were in Paris and saw the Eiffel Tower you could hold the camera and go click. You'd have a shot that millions of other tourists have and would be good as a record of your holiday. I think at DPC you need more than that. You need to consider the POV - make it something that enhances the tower (include a flowerbed or kissing couple in the foreground), make use of lighting (dusk for shadows), composition (maybe include the buildings beside it to get a sense of scale).

I hope this helps and please don't be offended, I'm only offering an opinion.

Golden Harvest
by challengedp

Comment:
Upsized/sharpened too much

Bird nest
by bjprasad

Comment:
Focus needed to be on the bird

absolut calm
by chimaera

Comment:
Has potential to be a nice panorama shot but too small here to get the effect fully

Late Night, Great Light - No Editing
by Manikz

Comment:
Late Night, Great Light - A couple of beers?

Just kidding, too blurry for me

Cambodian Girl
by fraught

Comment:
Good concept, too small to be effective

Bleak Strand
by oldgrouse

Comment:
Don't take this the wrong way but as I see DPC as a learning experience here is my frank critique:

This comes across as a snapshot. By that I mean that I feel that anybody standing where you were with a camera could have gone click and got this result. I think a photographer should aim to do more than that. I may be wrong and perhaps you do have more of a story to your shot but the fact is that it doesn't come across to the viewer.

As an example, if you were in Paris and saw the Eiffel Tower you could hold the camera and go click. You'd have a shot that millions of other tourists have and would be good as a record of your holiday. I think at DPC you need more than that. You need to consider the POV - make it something that enhances the tower (include a flowerbed or kissing couple in the foreground), make use of lighting (dusk for shadows), composition (maybe include the buildings beside it to get a sense of scale).

I hope this helps and please don't be offended, I'm only offering an opinion.