Image |
Comment |
| 11/15/2008 11:42:54 PM |
NAby scruffComment: Is that a snowman... er... saltman? Cute! |
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| 11/15/2008 11:40:39 PM |
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| 11/15/2008 11:36:51 PM |
[Fe]rrous Wheelby MelethiaComment: Wow! It may be a real stretch for the challenge, but this is a fabulous shot! I'll tell you this much, those giant wheels are a serious pain in the a to drive, but they are beautiful. |
Photographer found comment helpful. |
| 11/15/2008 11:34:17 PM |
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Photographer found comment helpful. |
| 11/15/2008 11:30:39 PM |
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| 11/15/2008 10:52:40 PM |
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Photographer found comment helpful. |
| 11/15/2008 10:50:49 PM |
Autumn Heliumby timfythetooComment: I must have suffered some deep psychological trauma as a child, because this photo scares the heck out of me! I'm honestly expecting some scary monster to jump out of the woods. Ok, let me try to figure out why... (you don't mind if I think out loud, do you?)
Alright, first the dark vignette plus black and orange border, plus blur vignette. That's probably 90% of it right there. Next, the cognitive dissonance brought on by the ultra-innocent image of a child and, of all things, balloons, surrounded by the afore-mentioned threatening elements, alone, in the woods! Ok, it can't just be me... can it?
Deep breath...
Technically, this shot is excellent. The creepy vignettes are well done, exposure, lighting, composition... all well done. Ever consider directing? Blair Witch has nothing on this photo!
Oh yeah ... 10 |
Photographer found comment helpful. |
| 11/15/2008 10:35:17 PM |
Sby GeneralEComment: Cheddar Sulfur? Sorry, couldn't help it. Nice texture, but there's something strange going on where the shadows and highlights meet. |
Photographer found comment helpful. |
| 11/15/2008 10:32:29 PM |
1 Horse Power, Iron Rimsby J-MeComment: Were you going for a feature of the old carraige, or the contrast of old and new? Either way the concept would work, but theres a problem, the background.
As it is, the subject is placed strongly in the center of the frame making the background seem incidental. To feature the carraige, try to remove as many distractions as possible. Try a low or high angle in this case. To contrast the carraige with the buildings, try to give them more or less equal weight in the image. In this case you could keep the carraige off to one side of the frame, for example. |
Photographer found comment helpful. |
| 11/15/2008 10:24:43 PM |
Hydragyrumby mgsmith53Comment: The trouble with abstracts is that the eye struggles to find a recognizable object in the frame. It then locks onto that object, if found, and constantly refers to it to give context to the other forms. I'm afraid I've locked onto your thumb. Still, it's a striking composition. I like the shape of the Mercury. |
Photographer found comment helpful. |
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