Late Night Tram
by Altamiro

Comment:
Oh,this image comes sooo close! Love the movement in the tram. But think about cropping it to eliminate the signs "hotel" and "schaepp.." You still get all the effect of the moving vehicle without the distractions of the lettering.

What a good job of seeing!

Extravagant Shadows of the Night
by TNCameron

Comment:
Well, here's another of those images I'm a sucker for. Take an everyday object and show us something new. It may (or may not) score well overall, but it scores high in my book. (and, yes, I wish those white & red auto light trails weren't there) But, oh, I do like what you did with the light in that fence.

Power House
by aaronwave

Comment:
Up a point or two for the use of complimentary colors in your very nice compostion.

Long Night Sky
by photon

Comment:
This was an interesting experiment. I expect you used a tripod, but perhaps there was wind, so the trees are not sharp. And the flow of the clouds wasn't quite enough to give definite movement. Bracketing helps in these experiments. The one thing I would suggest in composition is that little dark area to the lower left. If you cropped just above that, it would remove an avoidable distraction. I really like what you tried to do here - keep up the experimentation.

All is still
by PaulE

Comment:
Nicely done. In the continuing discussion of "the frame/border", I'll say I ignore them - fortunately for this lovely image, since this one is a bit overwhelming. 10

Last Flight At Day's End
by Refocused

Comment:
Oh, I hope you make the front page. I'll do my part. 10 of course

Two Seconds In Time
by Chiqui

Comment:
Hmmm, looks like the Ferry Building... Nice play of light.

Midnight Blues
by Neuferland

Comment:
Nicely exposed to get rid of all those possible hotspots.

Sun voyager sails into the night
by Hauxon

Comment:
Nice interpretation of an exciting piece of sculpture. Iceland, I expect. The sun still sets a little bit in May, I think.

Night Cabin
by kahtava

Comment:
This is one of those images that I really like to look at and wonder how to make it better. So indulge me while I try... YOu have a great subject here with what appears to be a lonely cabin set in the middle of nowhere. I wonder if - by concentrating on just the cabin, without the shrubbery in front, turning off that light to the back of the cabin, you could make the lighted cabin a sort of welcoming beacon with the forest behind it. Obviously you were there, and I wasn't and you know the topography you had to deal with. So, I guess it boils down to this advice: Check out all the possibilities when confronted with such an exceptional opportunity as you have above.