A-maize-ing Yellow (corny, i know)
by mefnj

Comment:
The border isn't really needed... besides, the color of the border is a brighter yellow than the corn.

Ready, Set, Release
by treimee

Comment:
Nice set up. There is just too much negative space. I would recompose to fill the frame with the target and the arrow using a less straight on perspective.

faded banana
by idealodds

Comment:
I don't think there is a need to use a shallow depth of field here. I would go with a smaller aperture to bring everything into focus.

Caution
by MeMex2

Comment:
Very good composition!

Caterpillar
by Structor

Comment:
I'd like to see the subject more prominent in the photo... but you did well with the rule of thirds composition. Every thing is nice and sharp with lots of texture in the grass.

Good Dog
by sfmorris

Comment:
Very pleasant and emotive. The soft focus and graininess is totally going against the DPC trends. It works well for this photo. Good luck with the mob.

Yellow Lines
by matterhorn

Comment:
A very minimalist abstract

On the Roof Top
by bruski

Comment:
The image is good but it is really lacking in architectural content. I wouldn't say it is DNMC, but it is not representative of architectural photography. It is more portrait photography.

orange house
by nickton

Comment:
Nice find and use of color to generate some pop. A few drawbacks in the image which are out of your control are the chain link fence and the power lines. Another element to add interest to the photo would be to photograph it with a great sky. Here with the white sky, it is somewhat boring. A blue sky would really make the orange pop more as it is a complimentary color. It would also take away some of the effect of the power lines.

Traffic passing by
by bcrew

Comment:
Great idea to use the slow shutter speed to create motion blur. It adds interest to the photo. One drawback is that you gave up sharpness on the building. I am not sure if it is due to being handheld or not but it definitely hurt the sharpness. You can over come that by using a tripod, locking the mirror on the camera to avoid shake and also using a timed shutter release or a remote. As far as composition, I'd point the camera a little higher to get rid of the street in the foreground and get more of the building in.