| Image |
Comment |
| 06/14/2003 12:44:46 AM |
Staple'sby jab119Comment: They're expensive to feed, aren't they? Not to mention the frequent tetanus shots .... |
| 06/14/2003 12:42:32 AM |
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Photographer found comment helpful. |
| 06/14/2003 12:40:59 AM |
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Photographer found comment helpful. |
| 06/14/2003 12:39:16 AM |
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| 06/14/2003 12:36:25 AM |
October 28, 1929by autoolComment: Nice example of how a title can add context without having to "explain" the subject, which has clearly been "standing on its own" for quite some time. |
Photographer found comment helpful. |
| 06/14/2003 12:33:49 AM |
Office at Seaby orussellComment: Someone just asked me yesterday if I thought anyone today still knew what parallel rulers were .... |
Photographer found comment helpful. |
| 06/11/2003 06:05:30 PM |
"The Break"by autoolComment: Unfortunately, I know from experience that there's also nothing quite like the crackle of a loose rack either. |
Photographer found comment helpful. |
| 06/10/2003 03:18:37 PM |
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| 06/10/2003 02:53:45 AM |
Mommy's Watching You.jpgby OneSweetSinComment: Originally posted by mavrik: This scares the living hell out of me. |
Oh, I bet you could take that stick away from the kid without either of you being seriously hurt .... |
| 06/10/2003 02:50:38 AM |
Mobile Homeby simkinComment: I'm wondering if a better "compromise" to the anonymity problem would be to crop the guy out entirely. Most DPC members have a stereotypical image of a homeless person they can use to mentally fill in the scene. It would save the awkwardness of cutting off his head, and, as you said, the subject is his home.
If you crop just at the rightmost corner of the big red bucket, you'll just have a bit of his sleeve and his right shoe in the image. It might also help compensate for the blur, by making it look like (if it isn't) a motion blur of the cart entering the frame from the right.
It's a great capture, worth continuing to work with. |
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