A Mid Summer Nights...
by lunachicken

Comment:
For the First Ten! side challenge - This is image #2 in my random voting thread: Looks like an overhead shot of a candle flame.

Abandoned Bridge
by tolovemoon

Comment:
Hi Tracy,

This comment is part of my participation in the DPC Critique Club. This is an effective use of contrasting color to make the subject stand out from the background (and in this case, the foreground as well). The bridge is an interesting design and seems to be lacking a bottom. Makes me wonder what it might have been used for in the past. You've found a lovely setting that really reflects your location well. The river and foreground elements at the lower right help to give context and further set the bridge apart from the background. However, the subject itself is only a small portion of the image and the expansive amount of foliage tends to overpower all the other picture elements, even though the foreground left tends to a brighter shade of green. For me, nature shots with lots of green are particularly difficult, especially with small leaves being predominant. All that aside, the color contrast works well to bring attention to the subject.

Cloudy with a Chance of Meatballs!
by JayneRyan

Comment:
Hi Jayne,

This comment is part of my participation in the DPC Critique Club. This is a strong composition, set in a surprising (in a good way) tableau. The graceful lines of the pony's gaze backward and the rippled abstraction of the reflections all add to the impact. What I'm less certain about are your exposure/basic toning choices. On my monitor, even at full brightness, the highlights all tend to gray. While there are some areas of deep shadow/black, they seem to be in small proportion to the overall image. Taken together with the expanse of dark grey water, the overall effect is one of tonal similarity. I also notice that the reeds on the far right provide a minor distraction due to their overlap with the pony and those in the blurred foreground, draw my attention, too, and might be fairly easily removed in PP. Overall, the appeal is strong and the subject/composition trump the negatives I've noted to make this a strong shot, with potential to be improved with a bit more time in editing.

Observer
by riot

Comment:
Hey Eugene,

This comment is part of my participation in the DPC Critique Club. There are more things I find to be striking about this shot than things that detract. What I really like is the dramatic lighting and bold compositional choices that include generous amount of shadow above the subject and the splash of color on the right. In combination with the spider's apparent upward glance, this becomes a powerful tableau with a touch of mystery. The primary negative for me is the soft focus on the main subject. I suspect this may be a result of the setup and the optics you were working with, or perhaps an artifact of diffusion created at f/18. But it's a small criticism on a very strong image.

Waiting
by ShaneBlake

Comment:
Simplicity and balance. A remarkable image. Back on rollover day to offer some BTC bling:

DoWN
by h2

Comment:
Bingo! A great take on the challenge, and so well executed. The best pianists need the ability to play with fingers like hammers and fingers like feathers.

Back on rollover day: This holds up to repeated viewing. My favorite for the challenge. A BTC Blue for you.

Pelecanus Occidentalis
by Alicia

Comment:
This has been processed in a way that bridges the ether between photo and graphic design. What could have been banal and cliche is improved greatly by the PP work. Well done!

Back on rollover day to add some bling:

Gran Sasso frowns
by olbol

Comment:
Hi olbol,

This comment is part of my participation in the DPC Critique Club. There's a big backlog of images with requested critiques, sorry for the delay.

This is a really dramatic and evocative image. I like your color choice in the conversion toning very much. I wonder about the exposure or image brightness, though. I have my monitor cranked up all the way and it's still fairly dark... wondering if it lost some shadow details when viewers weren't at full monitor brightness. On the other hand, the image is meant to be dark and foreboding, I imagine. One suggestion I have that might be effective is to crop off the top at about 1 inch (or about 20%). The wider aspect ratio along with removing some of the nondescript grey clouds at the top could add to the impact. Clearly that's just a personal preference, this is a strong image as it stands. Nicely done!

Texas State Capitol
by MEJazz

Comment:
Hi Mansoor,

This is Bill Banning comment as part of the DPC Critique Club. We're all caught up on current challenges and now a few of us are taking on more recent requests that didn't get covered. So..

This is a competent photo that shows a building for what it is. Your timing worked well to avoid distracting elements in the shot and as Melethia commented, the mirrored cars are a cool part of the setting. The exposure is right on and the afternoon (or morning?) light is good, too. For me, what's lacking is any compelling interest other than the building itself. There's also some typical wide angle distortion going on (both the converging verticals at the far sides and some central distortion causing the image to appear to be bulgiing outward. This can be fixed in current versions of LR or PS or even with Adobe Camera Raw. But the bottom line is that even if the distortion were completely gone, it there's still not much interest in just a straight on shot of a building, even a beautiful historic one like this.

MaryO
by MaryO

Comment:
Effective natural backlighting, I presume, and such a great capture of the intensely focused attention on who or whatever is outside the frame to the right. Bravo.