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DPChallenge Forums >> Photography Discussion >> Dusty 20D CCD and one day of hell
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Showing posts 51 - 54 of 54, (reverse)
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05/15/2005 06:00:15 PM · #51
I just cleaned my rebel xt because of lent on the sensor. I only had it for about 3 weeks too. I used q-tips and this lens cleaner solution that came with the camera. Also this thing that I squeeze and air comes out... sorry I forgot what u call it. Well it worked cause no more lint.
05/15/2005 10:38:35 PM · #52
Originally posted by lhall:

$50.00 for cleaning????? $3.00 for cleaning????

Where are you guys? The camera shop in Wash DC that handles Canons (where the Canon rep actually told me to send my 10D for it's "18 month general cleaning/calibrating", wants to charge me $165.00, NOT including overnight shipping to/from (so I won't be without for any length of time).

Now granted, this is for a little more than just cleaning the sensor, but looking at what you guys are paying, this seems a little outrageous to me.


Sorry to hear that. My suggestion would be to go get a film camera. That's what I did and now I'm not worrying about these issues.

I also highly recommend reading this article for a very unbiased and complete discussion about film vs. digital: Ken Rockwell's Film vs. Digital. The article helped me immensely in making a decision about what medium I want to use.

Oh and, I live in New England. :)

Message edited by author 2005-05-15 22:40:22.
05/17/2005 01:15:39 AM · #53
Digital V's film is a bit like the old argument, is photography an Art or a Science ? and is one that will probably never be resolved. I work as a Newspaper phot in Western Australia and dust is a big problem with both film and digi. It is something that goes hand in hand with taking a camera outdoors. You have to eliminate the evidence of it from your finished work regardless. I have worked extensivly in both mediums, and I think it's fair to say that they both have their own fors and againsts. We are very lucky to be involved in the image taking process in such a dynamic time. I now work mainly with digital equipment (primary camera a Nikon D1H) but, I do still cary a Nikon F4 film body in my bag and use it from time to time when I see a shot that could benifit from film\trani. When my employers first anounced that we were changing over to digital I was horrified, the only examples of digital photography I had seen were back in the early 90s as a student (which were just average to say the least). However since then there have been quantum leaps forward in digital technoligy that are showing no signs of slowing down. Don't write digital off all togeather build up the muscles on the side of your body that you wear your camera bag and arm your self with both.
05/17/2005 10:00:28 PM · #54
Quite impressive how a whining post by someone who got conned into paying too much for their sensor cleaning, and hadn't read enough before buying a dslr to realise that dust would actually be an issue, can quickly grow into a full-on "digital sucks, back to film!" thread. Since we're on a site dedicated to digital photography, i'll leave the argument itself well alone, but there were a couple of points that rather struck me:

Originally posted by nfessel:

I HATE the "zoom factor". That is ridiculous.

The crop factor is a major plus for some photographers, especially wildlife photographers who generally use the longest lenses that are practical anyway. Either way, the crop factor is hardly a viable argument against digital in general, considering how many full-frame dslrs are available.

Originally posted by nfessel:

And not to mention all the worrying about whether or not the thing is going to operate correctly.

Funny, that's generally one of the major reasons people give for switching over to digital from film - the ability to see instantly whether the thing has operated correctly rather than having to wait til your film is out of the developing tank, miles from that priceless unrepeatable shot, to find some tiny mistake.

Originally posted by PhilipDyer:

I don't think anyone will argue with you that film, in general, is capable of producing higher quality images than digital at this point.

At 35mm, this has not been true for quite some time. It's only at medium and large formats that film can still compete in terms of image quality alone, and even this is generally because of the ludicrous cost of the hasselblad etc digital backs.
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