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DPChallenge Forums >> Tips, Tricks, and Q&A >> Get the color out...
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12/24/2002 04:15:19 PM · #1
I've read various ways to take a color picture and make it a Black and White... If I remember correctly, Gordon has a site where he describes a couple of them. Would everyone care to share their favorite method? And if Gordon reads this, would you please repost your URL? I'm particularly interested in taking out the color without being left with muddy grays :)

Thanks in advance!
12/24/2002 05:14:26 PM · #2
My only way is to desaturate then adjust brightness/contrast till it looks good. I use a program called "Photoimpressions". It doesn't have an option to switch to b/w and nothing for sepia either. :(
12/24/2002 05:18:04 PM · #3
maybe here?

//www.jasc.com/tutorials/nieuwenstein/color2bw1.asp

or here?

//www.webteknique.com/tutorials/better_black_white/part_one/page1.asp

Message edited by author 2002-12-24 17:26:46.
12/24/2002 06:46:16 PM · #4
In Photoshop the easy way is to just change the Mode to Grayscale.
The tricky and more-controlled way is to create an Adjustment Layer and enter Channel Mixer in the popup menu. When you have the Channel Mixer controls visible check the box at the bottom labelled Monochrome. Adjust the three color sliders to best effect.
After everything else is done, I wuld save a copy in grayscale format, as the final JPEG should then be smaller (can save with higher-quality settings).
12/24/2002 10:09:33 PM · #5
4 different ways to go from colour to B&W here
12/27/2002 03:19:27 PM · #6
Originally posted by Gordon:

4 different ways to go from colour to B&W here


That was very helpful and I am very satisfied with the end result.

Thanks!

Message edited by author 2002-12-27 15:19:34.
12/27/2002 03:44:30 PM · #7
This almost convinces me to get PhotoShop... I'm still using Elements and the Gimp. But I've been able to take these ideas and use them. Thanks all! (especially Gordon... Great page!)
12/27/2002 04:48:54 PM · #8
I don't think there's a channel mixer in Corel Photopaint, but I've tried splitting photos into channels (both LAB and RGB) and throwing some channels away, though not for challenges here. Is this legal within the rules of this site?
12/27/2002 05:33:07 PM · #9
I have a whole B+W process I use. Start with a tiff RGB image. In PS I create 3 additional Layer Adjustment Layers...
Layer 1: Image
Layer 2: Hue/Sat Layer Adj. (adjusting the RGB image)
Layer 3: Bright/Cont Layer Adj. (adjusting the RGB image)
Layer 4: Channel mixer set to Monotone with a Green filter setting (R=15 G=55 B=30) Changing the image to monotone.

The nice thing about this is that you can still adjust colors since the image is still a color image.

Say I have an image of a clown. If I convert it to B+W and then try to make his nose brighter I have to mask his nose and do it. With my process I just go into the Hue/Sat layer, call up the dialog box, select "reds" and adjust the lightness or sat to increase saturation or change the hue in the nose. Since I am lightening or brightening the red in the color image, when it converts to B+W (Done in the top Channel Mixer layer) the result is a less dense (lighter) nose without having to mask and staying waaaaay within the guidelines of DPChallenge since it is still an "overall" move. No masking involved.

I have a whole PS action set up for this. IMO it is the only way to get absolutely true control over every color in a color image when converting to B+W.

Really fun stuff...

Dave


Edited for the my normal spelling mistakes... LOL!!!

Message edited by author 2002-12-27 17:37:30.
12/27/2002 06:56:26 PM · #10
I first go to the Channels menue and look at each of the red, blue and green channels separately to see which channel looks the best and then I switch back to color. I then go into the Channel Mixer and first set the sliders to display that channel that I liked the best to serve as a starting point and then adjust the sliders from there to get the perfect mix. This could all be done in the Channel Mixer but I just find it easier to use the Channels menue first because it is very quick to compare one channel to another for a direct comparison.

T
12/27/2002 07:56:25 PM · #11
I desaturate all the way to black and white. Then I follow muckpond's "Bound" tutorial and play with the levels a bit to get the desired contrast. It seems to work out alright :)
12/27/2002 10:21:56 PM · #12
Anyone who is using the Gimp:

To emulate (kind of) the channel mixer in Photoshop, this is what I do. First of all, go to Image -> Mode -> Decompose, and choose RGB. That gets you 3 B&W images from each of the RGB channels in the colour photo. Then, open the Layers, Channels and Paths diaologue (it's usually open anyway). For one of these photos create 2 new layers. Select the one that you most like as a B&W image, because that one will be set at 100%. Copy and paste the other two into the new layers. Then use the opacity sliders to reduce the opacity of those two layers to get the result you like.
12/27/2002 10:45:08 PM · #13
Thanks Bamaster...That is a good tutorial!


or here?

//www.webteknique.com/tutorials/better_black_white/part_one/page1.asp[/quote]
12/28/2002 03:51:42 AM · #14
Excellent! I've been playing with my photo this week, trying to decide if I should go ahead and stick with the color version I already submitted, or go black and white. It looks good both ways, but it would be nice to play with the black and white image more than I'm able to by simply converting to greyscale.
12/28/2002 06:16:16 PM · #15
Originally posted by lisae:

Anyone who is using the Gimp:

To emulate (kind of) the channel mixer in Photoshop, this is what I do. First of all, go to Image -> Mode -> Decompose, and choose RGB. That gets you 3 B&W images from each of the RGB channels in the colour photo. Then, open the Layers, Channels and Paths diaologue (it's usually open anyway). For one of these photos create 2 new layers. Select the one that you most like as a B&W image, because that one will be set at 100%. Copy and paste the other two into the new layers. Then use the opacity sliders to reduce the opacity of those two layers to get the result you like.


A thousand thanks! When I first read your post I said "Ummm, looks hard... I'll try it later..." Your description is wonderful! It works like a charm...

But it isn't DPC legal, is it? Even if it isn't, I just learned a lot about Gimp :)

Thanks again :)
12/29/2002 02:23:48 AM · #16
Originally posted by myqyl:


But it isn't DPC legal, is it? Even if it isn't, I just learned a lot about Gimp :)

Thanks again :)


I've mentioned this method a few times in the forums, and no one has ever told me it's illegal. It is my understanding that adjustment layers are legal in Photoshop, so I would imagine that layers in the Gimp are also legal, as long as you only use them in normal mode (not addition, subtraction, dodge, burn, overlay, screen, etc.).
12/29/2002 02:46:31 AM · #17
lisae -- I think the issue is setting the opacity for any layer below 100% -- I think that might not constitute blending in "Normal" mode.
I think you CAN adjust the layers separately, but it will probably produce a subtly different effect than reducing the opacity.
12/29/2002 06:26:08 AM · #18
Originally posted by GeneralE:

lisae -- I think the issue is setting the opacity for any layer below 100% -- I think that might not constitute blending in "Normal" mode.
I think you CAN adjust the layers separately, but it will probably produce a subtly different effect than reducing the opacity.


I thought adjusting the opacity of the layers in this method would be exactly the same thing as adusting the percentages (or whatever) of the red, green and blue channels in Photoshop's channel mixer. Is this wrong? If I can't use layers this way in the Gimp, it's tantamount to saying the channel mixer is illegal!
12/29/2002 03:03:51 PM · #19
It may be the equivalent, as you say. I haven't used The Gimp, so I'm not familiar with it except through these forums -- guess I'll have to download it and try it out.
I have no problem with your using this technique myself, I just don't want you to run afoul of the the rules unexpectedly!
12/29/2002 04:52:45 PM · #20
Originally posted by Konador:

I desaturate all the way to black and white. Then I follow muckpond's "Bound" tutorial and play with the levels a bit to get the desired contrast. It seems to work out alright :)


Wow. I taught something. Who knew?
12/29/2002 06:57:04 PM · #21
Originally posted by lisae:

Originally posted by GeneralE:

lisae -- I think the issue is setting the opacity for any layer below 100% -- I think that might not constitute blending in "Normal" mode.
I think you CAN adjust the layers separately, but it will probably produce a subtly different effect than reducing the opacity.


I thought adjusting the opacity of the layers in this method would be exactly the same thing as adusting the percentages (or whatever) of the red, green and blue channels in Photoshop's channel mixer. Is this wrong? If I can't use layers this way in the Gimp, it's tantamount to saying the channel mixer is illegal!


Can anyone give an official thumbs up or down to this? I agree with Lisa that this is the same thing that's legal in PS, but would feel more comfortable about using it if I could get a Yeah or Nay from somewhere up the food chain :)
01/08/2003 09:46:00 AM · #22

Digital Black and White
Submitted by *halley on 7/1/2002 Simulate B&W Film
Simulate B&W Film
If you want to make a digital photograph appear to be created on black and white film, GIMP and Photoshop have a very simple "Desaturate" filter. Some digital cameras have an identical function built into their software. It's adequate to take out the colors, but it's not adequate to simulate the black and white film process.

Here is one good method for getting better digital black and white "film" imagery out of your digital camera.

In Photoshop or GIMP, select the Channels tab on the layers/channels window. Then you can select and edit each color channel separately.

Select the RED channel. Turn off the "eyes" on the other channels and select only the red channel. Darken the whole frame a bit using the Brightness/Contrast tool or filter. (Black and White papers are notoriously undersensitive to red light; this conveniently happens to allow the use of red safelights in b&w darkrooms without screwing up the paper as much.)

Select the GREEN channel. Add some contrast to the whole frame a little bit. Adding contrast makes the bright green parts greener and the dark areas darker. (Black and white photographs typically have stronger contrast overall than color digicams produce. Developing by eye in a darkroom exaggerates contrast as well.)

Select the BLUE channel. Add some small amount of noise with the Noisify filter (in the blue channel only) then blur the whole frame slightly with the Gaussian Blur filter. (This emulates the overall graininess of typical hobby-grade black and white film.)

Now you can click the Layers tab and select the image layer to allow editing of all three color channels together as usual.

The image will look very oddly colored with the weak reds and the strong greens. Desaturate the image now.

Optionally, adjust brightness, contrast and sharpness of the overall image to taste.

Voila. A reasonable rendition of B&W film behavior all done digitally. Not perfect, but far more effective than the Desaturate tool alone, at emulating film.
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