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| 03/13/2016 10:23:55 AM |
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| 03/13/2016 05:37:28 AM |
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| 03/09/2016 09:39:29 AM |
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| 03/09/2016 09:15:07 AM |
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| 02/25/2016 11:34:31 PM |
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| 02/25/2016 07:21:27 PM |
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| 02/21/2016 05:41:28 PM |
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| 02/21/2016 05:41:04 PM |
A Rope At Restby WonderDudeComment by snaffles: Greetings from the Critique Club!
I gave this a 6 in voting (and guessed a fan, hehe) and agree with what Jake says here, that the comp and oof bg help here, but not the oof loop closest to the camera. I also like the oof lower part of the rope. Your high ISO is bordering on noisy in the bg upper left/centre, and clearly you shot wide open. Keep in mind that most lenses work best at a couple of stops down from wide-open, so f.4 and up would have helped...and again, I see you shot handheld. Time to invest in a lightweight travel tripod!
Susan |
| 02/21/2016 05:35:53 PM |
A Winter Sunset After A Light Snowby WonderDudeComment by snaffles: Greetings from the Critique Club!
Not a bad sunset shot, and a light amount of fallen snow, but this time the voters wanted to see something much more dramatic - big flowing clouds, thunderstorms, insane amounts of snow. This is Ok but it's just a sunset, and those danged trees are in the way! The sculpture(?) or pile of chairs in the lower right third looks like it's meant to be a focal point, but it's too small and insignificant, so the eye goes roaming looking for more.
If this is the kind of photography you want to pursue, get a tripod (even a cheap one will do) and use much longer exposures and much smaller apertures and ISOs to get the kind of dramatic sunset shots that do well here. I don't know many Texas landscape shooters, but maybe Kobba, who tends to like wildlife, has seen some areas that would be good for sunsets. Try PMing him and see.
Hope this helps
Susan |
Photographer found comment helpful. |
| 02/21/2016 09:23:52 AM |
A wise man named Tomby WonderDudeComment by snaffles: Greetings from the Critique Club!
An interesting portrait of an interesting man, to be sure :-) I guess you can see why the number of hand comments, the angle here gives him an even larger set of hands than he already has! The one closest to the viewer is literally the size of his head. If this is what you wanted, it works!
Now, pay attention to the restaurant lighting. The lights are overhead and pointing straight down, so while his forehead, cheekbones, hair and to an extent, his beard, catch the light...the eyes are in harshly defined shadow, as is the mouth. It just doesn't really work. The angle of the booth behind his head draws attention away from him and down the wall to the visible wall light. There's a reason why portraits are generally just head and shoulders!
Hope this helps
Susan |
Photographer found comment helpful. |
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